Emanuel Gollob
Emanuel Gollob’s Doing Nothing with AI series uses AI, robotics, and brainwaves to continuously choreograph a flow of motions with the intention to make the participant “do nothing” and daydream.
2019
This robotic installation uses generative robot control, brainwave measurements, and generative machine learning to optimize its choreography with the aim of making the participant “do nothing.”
Enjoying a moment of inaction and introspection while letting our minds wander and daydream may be more important than constantly keeping us busy with doing something “productive”.
2020
Armin Sanayei’s composition Shaky Savine was created to perform in dialogue with Emanuel Gollob’s neuroreactive installation Doing Nothing with AI.
The modular composition gives the interpreter the freedom to improvise based on their perception, while an electroencephalography (EEG) cap streams the musician’s brain activity. Based on this real-time feedback, AI decides the next movements of the installation. The work emerges in the interplay of composition, algorithm, and improvisation.
This musical dialogue between man and machine was recorded by Anna Mitterer. Shaky Savine & Doing Nothing with AI was created in a co-production between the Ensemble Reconsil and REAKTOR.
Imagine two people in an exhibition looking at the same sculpture. Even if the shape, context, and time are the same, both will likely develop very different aesthetic emotions. But what if the sculpture targets a particular neuronal outcome–like “doing nothing”?
Doing nothing can be correlated with default-mode brain network activity, an unconscious activity distributed across several brain regions. Whenever we aren’t actively pursuing a task, this brain network starts to reflect our short-term memory with our long-term memory. This updates our environmental and social reference values—an important task.
Doing Nothing with AI is animated by an adapted Deep Convolutional Generative Adversarial Network (DCGAN). The DCGAN generator sequentially generates new robot motions, while the discriminator trains on past motion samples with positive neurofeedback. The number of distinct robot motion choreographies explorable is 255 ^ 256.
The AI-generated motions are performed by a KUKA industrial robot–the same one that fabricated the cloak of Doing Nothing with AI by precisely placing 23.000 colored toothpicks.
With his art, Emanuel Gollob (AT) (b. 1991) bridges aesthetic research, human-AI interaction, and robotics. Gollob graduated from the University of Applied Arts Vienna with a diploma in Design Investigation (2019). From 2020 to 2021, he was on artist residency at MindSpaces, an EU research project in the STARTS initiative framework. Since 2020, he has been a PhD candidate and researcher at the University of Arts Linz.
Gollob’s work has recently been exhibited in various international institutions, including Smithsonian Arts + Industries Building, Washington DC (2021); Science Gallery Melbourne, Melbourne (2021); Laboral Centro de Arte y Creación Industrial, Gijón (2020); Ars Electronica, Linz (2019) and Liedts-Meesen Foundation, Ghent (2019), among others.
Instagram | Twitter | YouTube | Vimeo